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But my biggest brush with CKLW was being a contestant in early 1969 in its "Time Machine" contest. The contestant picked any year of the 20th century in advance. Then the station played its account of a news event. If the event happened in the year you guessed, you won $500. Of course, the thought of playing it was a pipe dream, because you'd get a busy signal after dialing the fourth digit; it was practically a reflex action to hang up and try again when the voice on the other line told me I was the correct caller. The year of the event from the last hour was 1917; I made up my mind to guess 1965. The event? The Gulf of Tonkin Resolution -- 1964. Just one year away from $500! As Maxwell Smart would have said, "Missed it by THAT MUCH!" I did get a little 1969 calendar just for playing. The next phone line to be jammed was mine as friends from school -- all of whom listened to CKLW -- tried to call me to tell me that they had heard me.

Revisit the sweet memories of first love with the most romantic songs of the 1960s. These classic love songs have a style and sound that's unique to the changing musical environment of the '60s. But, the lyrics and messages are timeless for anyone who has ever been young and in love. Comes with 2 bonus CDs of romantic classics from the '70s.

Collectables' 40 Years of Jukebox Hits: The 50's, 60's, 70's & 80's is an attractive package for consumers only interested in hits of these eras. Spread out over 20 discs, these 282 recognizable cuts are by the artists who made them famous and are not re-recordings. However, a major flaw of this huge set, besides lack of decent packaging, is the sheer number of CDs, which could have been cut in half if the full 80-minute capacity of each disc were utilized. More than likely casual music lovers will only want the "big hits" from a certain era anyway, and will find the individual sets more to their liking and in line with their budgets.

Wand was started as the rhythm & blues subsidiary of Scepter Records, but also included rock artists like the Kingsmen and Don & the Goodtimes, as well as a few reissues of bands such as the Animals and the Beach Boys. Owner Florence Greenberg sold Wand, along with Scepter Records, to Springboard International in 1976. Since that time, the Springboard/Wand masters have been obtained by Gusto Records in Nashville, Tennessee.


The first Wand label (far left) was white with red printing. The top quarter of the label was black with "wand" in gold directly above the center hole. This general label design was used from WDM/WDS-650 to WDS-698. The address under the Wand logo was "1650 Broadway, New York, ." in the early days, and "254 W. 54th St., ., ." for most of the life of the label. Obviously, the issue of Born in Canada shown here used an early label blank. The second Wand label (near left) was orange, with a new, stylized Wand logo on the right side of the center hole. This was used for WDS-699 and WDS- 6100. Promotional labels (far left) used the same design, with ". Copy - Not for Sale" overprinted and black lettering for the song titles and other information. After Wand was sold to Springboard, Springboard re-issued many of the Wand albums using the same design as the first Wand label, but with black lettering. These reissues also mentioned Springboard on the record jackets.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail . Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with Wand Records. Should you be interested in acquiring albums listed in this discography (which are all out of print), we suggest you see our Frequently Asked Questions page and follow the instructions found there. This story and discography are copyright 1999, 2009 by Mike Callahan.

Sessions Records was a label that sold records through radio and television advertisements. They were the record label arm of Audio Research, Incorporated, located in the greater Chicago area. Early albums had an address of Hillside, Illinois, followed by Lombard, Illinois, Lisle, Illinois, and Downer's Grove, Illinois. By the late 1980s, Sessions had moved to 5050 List Drive in Colorado Springs, Colorado. President of Sessions Records, and listed on some discs as the reissue producer, was John Werling.

Sessions usually had two or three record sets pressed by the Special Products divisions of the major labels (Columbia, RCA, Warner Brothers, MCA), so the quality of the vinyl was excellent. Although most of the contents of the albums was standard reissue fare, occasionally they would come up with a rare stereo find such as the stereo version of "You'll Lose a Good Thing" by Barbara Lynn on For Ladies Only .

In addition to reissuing oldies albums, the early 1980s brought a series of albums by the Smurfs, usually reissues of Canadian albums, as well as the reissue of the Canadian Raccoons on Ice , narrated by Rich Little.

Sessions had their own series, the ARI-1000 series (ARI derived from Audio Research, Inc.), but many albums just used the numbers of the Special Products companies that pressed them.

Sessions began issuing CDs in the late 1980s. By about 1993, they discontinued issuing albums.


Early Sessions labels had the logo on top without other graphics. Labels were printed in various colors, . red, black, light blue, yellow. A Canadian Sessions label is yellow with the same design (far left). The ARI-5000 series used a label with a blue field on the bottom, and a sunburst graphic on top. By the 1980s, the Sessions label was brown, with the label name in yellow across the middle of the label. Later in the 1980s, a grey label with the label name in red above the center hole was used. Sessions albums pressed by Capitol Special Markets in the 1970s used the usual tan CSM label. In the 1980s, the Capitol Special Markets label shifted to a yellow design with the Capitol Tower in the background. Sessions albums pressed by Columbia Special Products used the usual CSP red label. RCA Special Products pressings of Sessions albums before 1974 used the tan RCA label. In 1974, the RCA Special Products label switched to blue, and by 1977, to black. Warner Special Products pressings of Sessions albums had the usual Warner Special Products label scheme. Disc 1 in a set had a red band around the edge of the label, disc 2 a yellow band, disc 3 a blue band, disc 4 a green band, disc 5 a purple band, etc.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail . Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with Sessions Records. Should you be interested in acquiring albums listed in this discography (all of which are out of print), we suggest you see our Frequently Asked Questions page and follow the instructions found there. This story and discography are copyright 2008, 2010 by Mike Callahan.


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