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That soulfulness amid the misery is the key to making sense of ‘Spirit’. Something about Martin Gore’s summation of the state of the world on ‘Fail’, with its finger-pointing, ‘shame-on-you’ air evokes the same mood as Marvin Gaye’s ‘What's Going On’ album. Drawing a comparison between a late-period Depeche Mode LP – that some might cynically view as nothing more than a reason for yet another mega-tour – and a classic, politicised Motown album seems sacrilegious somehow, but weirdly apt. This is the kind of album that is necessary for shining a light on our basest traits and for encouraging us to think differently all over again; in that sense, for the first time in a long time, Depeche Mode have judged this just right.

Be sure to watch the trailer for a new documentary on Hansa Studios featuring Depeche Mode , Flood, Gareth Jones, and many more. The full length film on the legendary ...


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